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These operatic sequences are wild to behold, but theirs is an ordered kind of chaos, Miller’s camera deftly maneuvering complicated action scenes that are, in the motorized world he’s made, constantly moving. Miller keeps things tactile and visceral each vehicular assault is beguilingly immediate and frightening. Even the war boy who leads the enemy army with his blaring electric guitar (a battle horn for a metal era), a speaker array mounted on some kind of enormous gas-guzzler, feels oddly credible in this maniac story.
Miller has taken great care in tricking-out every big rig and monster truck, somehow keeping all their nutso embellishments-which allow for attacks both blunt and acrobatic-from tipping into silliness. Vehicles of all kinds reign supreme in this wasteland-these souped-up death machines take the Fast and Furious franchise’s car fetish to a feverish, scary extreme.
Nux’s allegiances eventually shift, but we can see why this religious fantasy has so consumed him. Vibrating with manic energy, Nux wants nothing more than to die a gnarly, glorious soldier’s death in battle, at which point, he believes, he’ll be ushered into a shiny, chrome-colored Valhalla. Miller pities the poor young men, though, specifically an irradiated, tumor-stricken “war boy,” Nux, played by Nicholas Hoult. Furiosa, tough and driven, is a perfect complement and counterbalance to Max, who is swept up in her story, rather than, as is so often the case in action movies, the other way around. She’s played by Charlize Theron, head shaved and missing half an arm. (He’s played, terrifyingly, by Hugh Keays-Byrne, who played a different villain in the original Mad Max movie.) Leading the charge to rescue these women is Imperator Furiosa, a high-ranking officer in Joe’s army.
Mad max fury roadmovie n youtube free#
Max, tormented by visions of people he could not save in the past, soon finds himself tangled up in a desperate mission to free a group of beautiful young women held captive as broodmares by the aforementioned warlord, a wheezing, nightmarish ghoul named Immortan Joe. It’s startlingly well-choreographed, impossibly nimble for all its heavy metal-and-bone construction.Īt root, Fury Road is a reasonably straightforward, though initially disorienting, chase movie: Max Rockatansky ( Tom Hardy) is captured by a warlord-ruled sorta-civilization, one that religiously worships fuel and bullets.
Mad max fury roadmovie n youtube movie#
We’re not talking about a particularly profound film here-survival is its chief big, blockish theme-but it is the rare mega-budget movie that has both heft and playfulness it’s dark but fun, a churning orgy of sand and fire that pirouettes with balletic grace. But Fury Road comes as such a relief in a summer that already-it’s only May!-seems destined for doldrums that I want to use big declaratives in the hope that people will go see this thing and make it the hit it deserves to be. That may sound like a lot of gushy hyperbole, and it probably is. It’s invigorating the way a big cinema spectacular should be, reveling in the medium’s towering possibilities, and transporting us to a thoroughly realized world that’s wholly unlike our own. In a movie season exhaustingly cluttered with never-ending superhero sagas and reboots, Fury Road arrives, despite its pedigree, as a daring, fascinating, thrilling jolt of original energy. So, in many ways, Fury Road feels brand new.
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Though it’s the fourth movie in writer-director George Miller’s fervid, violent Mad Max series, it’s been a full 30 years since the last installment, Beyond Thunderdome. For a movie set in a post-apocalyptic desert hellscape, Mad Max: Fury Road is awfully refreshing.